2003		Phase 3
		For York Dance Project, electronic work, premiered Hollywood, Ca.
2001		Fall Of The House Of Usher
		Film score commissioned by California EAR Unit.
1997		Lodz
		For Cello, piano and voice. Based on diaries from the Lodz ghetto in Poland, commissioned by Brandeis Institute Chamber Music Series. Score available for performance.
1994		Requiem for a Vanished Breed
		For orchestra. Commissioned and premiered by the Orange County Chamber Orchestra. Score available for performance.
1992		A History Of Restlessness
		For Loretta Livingston and Dancers, a full length work for voice and electronics premiered at the Japan America Theater, Los Angeles.
1991		A Window In The Passage
		A full evening length dance work for Loretta Livingston And Dancers, premiered at the Japan America Theater, Los Angeles.
1990		A Window In The Passage
		The Arrival, full length dancework commissioned by Loretta Livingston & Dancers, premiered at the Los Angeles Theater Center.
1989		T 4 2
		Commissioned by Basso Bongo and Amy Knoles (California E.A.R. Unit). Toured worldwide.
1989		Blind From The Facts
		For Jon Hassel's Cities Of Fiction album on Opal Records.
1989		Solo For Nancy
		Commissioned by an award winning choreographer John Mead.
1988		3 English Dances
		Commissioned by Transitions Dance Company, a British dance company. Extensively toured internationally.
1988		One More Time Around
		Commissioned by Sean Greene for Cal Arts Dance Festival.
1988		The Men's Piece
		Loretta Livingston and Dancers, premiered at Barnsdall Theater, Los Angeles. Keyboards and percussion.
1985		Romantic Notations
		Jan Baum Gallery, Los Angeles, sound installation with sculptor Barbara Edelstein using tape loops of computer modified sounds of the artists voice. (The process used allowed the piece to play continually for three weeks without repeat).
1984		TED
		(Technology Entertainment Design) Conference, Monterey, Ca. Sound Sculpture running for four days using a computer, synthesizers, and sonar detectors to create continually changing music based on movements of the people in the building.
1983		Step Music
		Space Gallery, Victoria, B.C., Canada, performance.
1983		Flute Loops
		New Music America, San Francisco, for multiple tape loops of original clay instruments by Susan Rawcliffe. (The process used allowed the piece to play continually for one week without repeat).
1983		Circle Piece
		Performances at Center for Music Experiment (CME), San Diego.
1983		SEXTET
		Commissioned by Bella Lewitzky Dance Co. Toured worldwide.
1982		Circle Piece
		Interval Foundation, San Diego, an audience participation work using original clay instruments by Susan Rawcliffe.
1982		Circle Piece
		Barnsdall Park Gallery, first Los Angeles performances.
1982		DANCELINE
		Barnsdall Park Gallery, Los Angeles, performances rescored for brass and winds.
1981		Cul-de-sac
		Kinetikos Dance Foundation, electronic work. Susan Goldman choreographer.
1981		Step Music
		Premiere for the International Computer Music Conference (ICMC), for computer synthesis and dancers.
1981		Cliffwall
		Barnsdall Park Gallery, Los Angeles. Sound installation in collaboration with sculptor Robert Bassler using modified sounds of the artists tools. (The process used allowed the piece to play continually for six weeks without repeat).
1980		Divertimento for Five
		Commissioned by Winnetka Brass Quintet.
1980		Reaches
		Commission for Los Angeles Dance Theater,(flute, clarinet, trombone, and electronics), Sean Greene choreographer.
1980		Races
		Commission for Los Angeles Contemporary Dance Theater.
1979		DANCELINE
		(Sponsored by the Pasadena Community Arts Center) Audience participation dance/concert piece in which the movements and gestures of the people in the gallery affected the way twelve musicians interpreted the score.
1979		LightSound
		For FM digital synthesizer and processed piano. Premiered at the Pilot Theater, Los Angeles. This piece marked the first use of FM synthesis outside of research at Stanford or MIT.